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Turumba Song Lyrics

“Turumba turumba mariangga; matuwa tayo't magsaya; sumayaw ng tu-turumba; puri sa Birhen Maria; turumba turumba sa Birhen; matuwa tayo't mag-aliw; turumba'y ating sayawin; puri sa Mahal na Birhen; biyernes ng makita ka; linggo ng i-ahon ka; sumayaw ng tu-turumba; puri sa Birhen Maria, sa Birhen (2x); turumba turumba sa Birhen; turumba turumba sa Birhen; turumba'y ating sayawin; puri sa Mahal na Birhen (repeat).”
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Adonay, The Maestro from Pakil

The music of renowned 19th century Filipino composer Marcelo Adonay (1848-1928) will be brought to life by the Philippine Madrigal Singers led by Mark Carpio, with bass soloist, Greg de Leon, pianist Nita Abrogar-Quinto, violinist Chona Noble, the UP Cherubim and Seraphim, conducted by Elena R. Mirano, and the UP Orchestra under the baton of Prof. Edna Martinez in a concert entitled Adonay, the Maestro from Pakil.  An informal talk on the maestro and his milieu at 1:30 PM at the CCP Dream Theater will precede the concert.  Produced by the Cultural Center of the Philippines, this event is part of the Center’s thrust on Arts Education in line with the continuing crusade of historical musicologists from the University of the Philippines to acquaint Filipino audiences with the lost music of their Spanish colonial heritage, in the aftermath of the launching of the book, “The Life and Works of Marcelo Adonay” (UP Press 2009, National Book Awardee, Art Category ), by Elena Mirano, Corazon Dio
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The Visual Artists of Pakil, Laguna

Danilo Echavaria Dalena   (4 Jan 1942) made his mark in the early 1970s with his caustic political cartoons and illustrations for the  Free Press  and  Asia-Philippines Leader  as it raised the standards of editorial art in the country. He also did a series of highly realistic toilet and graffiti drawings in 1972. He has produced series of paintings depicting folk costums and lifestyles in the city. When he returned to his hometown in Pakil, Laguna he has found new artistic inspiration in folk costums and lifestyle depicting its festivities. In 1974 shortly alter the declaration of martial law caused the closing down of the Philippine Leader, Dalena found himself without work. He then began the Jai A/ai Series that portrayed not the game itself but the swirling mass of bettors who arrived hopeful but left as losers. One of the paintings in his series grabbed the grand prize in the Art Association of the Philippines competition the following year. An exhibit of 27 large oil paint
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